“…a word for Peters’ voice, which now sounds a little more lived in than in her earlier years, that suiting better some of the subjects of her songs, often about those on the fringes; of society, luck, age and opportunity. Disappearing Act exemplifies this to a T, the slight lack of studio polish adding oodles, as also the case for the Wichita, the tale of Cora Lee, which gets a feel of hillbilly blues, a lighter touch which contrasts with the murkier mix from Dancing With The Beast. Say Grace then strips down to just voice and finger picked guitar. a quietly beautiful song that lingers as the thoughtful lyric sinks in: “Forgive yourself for all of your mistakes.” Piano joins in and McClean squeezes out some extra poignancy from his slide guitar, in a nod to the more arranged studio version. With the mood subtly changed by that song, it is followed by the pin dropping Everything Falls Away, with Walsh’s piano utterly magnificent…”

To read this review in its entirety, visit At The Barrier.