“I don’t know why I fixated on three, but if I could do three records in a row that represented my creative manifesto, I would be satisfied. And I did that. Hello Cruel World, Blackbirds and Dancing With The Beast to me are a trilogy and they belong together and having completed those albums I had a new sense of satisfaction. As if to say there’s my work and it’ll stand up against anything, there it is. That was one aspect of the urgency. The other is this feeling amongst musicians, a feast or famine mentality, that you have to say yes to everything and if you say no, no one will ask you to do anything ever again so you burn yourself out trying to do everything.
Artists unconsciously, subconsciously and consciously are encouraged to say yes to everything. You take every opportunity because you are constantly being made to feel that you’ll become irrelevant or disappear if you don’t. It’s a really unhealthy mindset to live with.”

To read this interview in its entirety, visit The Rocking Magpie.

“Peters has released live albums and compendiums before this, but with this particular effort, her variety and versatility are spotlighted in ways that bring these songs added illumination and attention. The strings portion of the set is especially satisfying because it boasts the best of her seminal catalog, including some of the most beautiful melodies she’s shared so far—“Hello Cruel World, “The Secret of Life,” “Love That Makes a Cup of Tea,” and “Blackbirds,” among them. Graced by the sumptuous orchestrated arrangements and the precision of Peters’ performance, the music is magical, memorable, and emotionally engaging…”

To read this review in its entirety, visit American Songwriter.

It was a late-spring weeknight in Asheville, North Carolina, and all the seats were taken at the Isis Music Hall. I found my way upstairs, where numerous stragglers were on stools overlooking the house.

Moments earlier, Gretchen Peters had told me she’s thinking of quitting the road after her next tour, and then she took the stage and opened with “The Show,” from her 2018 album, Dancing with the Beast.

I don’t really know just where I am
Somewhere between Bend and Birmingham
Here with you in some borrowed zip code
Nothing on our minds but the show

Considering the thoughts she’d just shared, the tune landed in a whole new way. What had previously struck as a bittersweet tribute to the life of a touring musician now rang as somewhat of a Dear John letter to the road. An artist trying to reckon with whether or not she can keep this part of her life going much longer…

To read this article in its entirety, visit Folk Alley.

Music has been my church for as long as I can remember, and live performance has always been the thing that brings me closest to losing myself in the beauty and mystery of it all. Of all the aspects of my job, performing is the most ephemeral, the most of-the-moment. You can’t do it while you’re watching yourself. It’s a high wire act – and for a circus girl, that’s a nearly irresistible thing.

Nonetheless, after several years of soul searching, questioning, and yes, grieving – I’ve come to the conclusion that it’s time to say farewell to touring life. It has been an absolute joy to play on stages from Sydney, Australia to Aberdeen, Scotland to Portland, Oregon. It has been a privilege to sing my songs for you. It has been my deepest pleasure and I will miss so many things about the road. But I am ready to stop.

Without a doubt, the thing I’ll miss the most is you. You’ve kept my spirits up and my wheels rolling for decades. You’ve been willing to follow me through some rough territory, song-wise, knowing that we would find beauty together in the darkness – literally and figuratively. You’ve shown your big hearts over and over again, whether donating to a cause when I asked, or sending your love and concern when I lost a friend or family member or a beloved dog. Seeing some of you become close to each other, even while separated by oceans, has given me so much pleasure – to have been the catalyst that brought you together is an amazing thing. Together we’ve celebrated and grieved births, deaths, marriages, divorces, heartbreaks – just like any family. What an unexpected joy.

Barry and I will stop touring in June 2023, but we will not stop making music, and when the opportunity presents itself we may play a live show here and there, or a livestream from home. But we are saying goodbye to the kind of touring we’ve been doing for over 20 years now. We’re ready for a new chapter, one that involves less doing and more being. We’re looking forward to less time on social media, more time at home. Less carbon footprint, more footprints on the hiking trail. And while I’m on the subject of Barry Walsh, I need to say once again what I’ve said for over 30 years now: there’s no one on earth I’d rather make music with. Since the first recording session of mine he played on in 1990, since the first tour we did together in 2001, his sensitivity and intuition has been nothing short of inspiring. I still get a thrill waiting to hear what he’ll play next. It’s never the same, and it’s always just right. 

The music business has become increasingly, relentlessly demanding of artists. The pressure to release new “content” (not a synonym for art), to churn out singles and albums and videos and reels and posts on a prescribed schedule, often utterly out of sync with the artist’s internal one, isn’t producing more or greater art. It’s just increasing the noise and exhausting the artists. As someone who has always needed to let the field lie fallow in between creative bursts, I understand the pressure on young artists – and I hope they will resist. We need better songs, not more of them. We need artists who want to make art that lasts, not content that’s digested in the time it takes to scroll through your Instagram feed. I’m so grateful to have found you, an audience who understands this and has given me the grace to create on my own clock. My deepest thanks and love to all of you who have been coming – for years, and even decades – to share that sacred space in the dark with a song. 

Love, 

Gretchen

The Show captures a singular artist at the peak of her powers, the songs embellished for the live setting but never gratuitously so, the setlist covering a 22-year spectrum of outstanding songs and an irresistible enticement (should you be so foolish as not yet to have bought tickets) to catch her on the upcoming dates (marking her 25th anniversary of playing in the UK) where, not having released any new original material in four years (her last album was the Mickey Newbury tribute), she might hopefully drop in a taster or two for that long-awaited follow-up.

To read the review in its entirety, visit Folk Radio UK.

A live album to savour from one of the great singer-songwriters of her generation. 10/10

Gretchen Peters has always had a great affinity with UK audiences and 2022 marks 25 years since this outstanding singer-songwriter first stepped onto a stage this side of the pond. By way of a commemoration Peters set out in 2019 to record a live album in front of what she calls “the enthusiastic and supportive audiences in the UK.” So, to anyone out there who was present in Bristol, Bexhill-on-Sea or Bury St Edmunds in April 2019 – congratulations, you get to share a recording with one of the finest songwriters of her generation…

To read this review in its entirety, visit Americana UK.

The Country Music Hall of Fame has released a 20 minute video documentary about “Independence Day”, featuring interviews with myself, Martina McBride, Joe Galante, Robert Deaton and Brittney Spencer.

Deep dive into the history of the song and its lasting impact through the voices of those instrumental to its success and influenced by it – you can watch the film here.

I’m thrilled to announce that my new album, The Show: Live from the UK, is coming out August 19th. Marking my 25th year since setting foot on a UK stage, I’m releasing this double live album, recorded while on tour in the UK in 2019 with my band and an all-female Scottish string quartet. The Show: Live from the UK will be released 19 August 2022. You can listen to the single, “When You Love Someone” on all streaming platforms now!

I was so moved by Brittney Spencer’s incredible performance of “Independence Day” when I received the Poet’s Award at the ACM Honors last August that I cried. She told me backstage later that she had listened to my slowed-down, piano-driven arrangement of the song and drawn some inspiration from that. I’m pleased to announce that Amazon Music has released both a video and a track of Brittney’s version – both available now.

https://youtu.be/xg_V_WRdWCA

.From Amazon Music:

On March 30, Amazon Music exclusively released an Amazon Original cover of Gretchen Peters’ “Independence Day” and an accompanying music video by groundbreaking recording artist Brittney Spencer. The song and video are available now as part of the rollout for the upcoming documentary, For Love & Country. For Love & Country is directed by Joshua Kissi and premieres on the Amazon Music app and Prime Video on April 7.

For Love & Country, is a new Amazon Music Original feature-length documentary that proclaims country music has always been Black music. The genre not only owes part of its origin story to Black musicians, but through its history, prominent Black voices have pushed the genre forward with little recognition or fanfare. Directed by director and photographer Joshua Kissi, For Love & Country examines country music through the personal stories of a new generation of Black artists claiming space in Nashville — and helping to transform the genre in the process.

Our first livestream for Ukraine’s Voices of Children Foundation was a huge success, thanks to everyone who watched and donated so generously. After we raised over $11,000, I started hearing from other artists who were eager to help out. Today I’m thrilled to announce that my guest for the next livestream is the incomparable Rosanne Cash. Rosanne will be joined by John Leventhal and I’ll be joined by Barry Walsh. Please join us April 1 at 3pm CDT/4pm EDT/9pm BST on Facebook and YouTube.

The concert is free but donations are requested – all proceeds go to Voices of Children.

I’m thrilled to announce that our livestream on March 10, with Barry Walsh and special guests Mary Gauthier and Jaimee Harris, raised over $11,000 for Voices of Children, a Ukraine-based organization that provides psychological and psychosocial support to children, helping them overcome the consequences of armed conflict. Today, during the full-scale Russian invasion of Ukraine, they are providing non-stop assistance to affected children and families from all over the country, providing emergency psychological assistance, and assisting in the evacuation process.

It’s the generosity and big hearts of our fans that made this possible. Your donations are so appreciated. If you missed the livestream you can watch it on Facebook or on YouTube. Thank you, from the bottom of my grateful heart.

I’m so pleased to announce that Mary Gauthier & Jaimee Harris will be joining me & Barry Walsh for a special live-streamed concert this Thursday at 3 pm CST. All proceeds from the tip jar will go to Ukraine’s Voices of Children Foundation. They provide psychological and psychosocial support to children affected by war. Please join us and enjoy some good music for a great cause. Join in on my Facebook page or on my YouTube channel.
In case you can’t make it but would like to donate anyway, here is my tip jar info:
Venmo: @gretchenpeters